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"Ihre enorm starke Bühnenpräsenz, verbunden mit einer unmittelbar spürbaren Lust am Musizieren und Darstellen, war erneut eine Klasse für sich."

~Das Opernglas

"Her enormously strong stage presence, combined with an immediately noticeable pleasure in making music and performing, was again in a class of its own."

W. A. Mozart (1756-1791)

"Die Zauberflöte" ~ Pamina

"Le nozze di Figaro" ~ Susanna

"Cosi fan tutte" ~ Fiordiligi

"Don Giovanni" ~ Zerlina

J. Haydn (1732-1809)

"L'isola disabitata" ~ Silvia

E. Kalman (1882-1953)

"Gräfin Mariza" ~ Manja

J. Strauss (1825-1899)

"Die Fledermaus" ~ Adele

"Der Carneval in Rom" ~ Marie

L. Bernstein (1918-1990)

"West side story" ~ Maria

J. S. Bach (1685-1750)

"Die Kaffeekantate"

J. Brahms (1833-1897)

"Ein deutsches Requiem" Op.45

C. Orff (1895-1982)

"Carmina Burana"

C. M. von Weber (1786-1826)

"Der Freischütz" ~ Ännchen

G. Mahler (1860-1911)

"Wir geniessen die himmlischen Freuden"

Soprano Solo from the 4th Symphony

G. Puccini (1858-1924)

"La rondine" ~ Lisette

D. Sarri (1677-1749)

"L'impresario delle Canarie" ~ Dorina

*For the whole list of studied repertoire (roles/arias/songs), get in touch.